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EDUCATION:
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M.F.A.,
Tyler School of Art, Temple Univ., Philadelphia., Pa, 1977
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B.F.A.,
Ohio University, Athens, Ohio, 1974
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SOLO
EXHIBITIONS:
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2019
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Ghost Hands, Half Moon Books, Tivoli, NY, Oct.-Nov.
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2017
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Dust Up, Reading/ Exhibit; CHRCH Project Space, Cottekill, NY, May
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2014
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Smoke
without Mirrors, with Dennis Adams, Kingston Museum of
Contemporary Art, Kingston, NY, July
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2011
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Child
of the Bomb, Unison Center for the Arts at Water St. Market,
New Paltz, NY– October- November.
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2010
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A
Girl and a Gun; a Trade Show, Kingston Museum of Contemporary
Art, Kingston, NY– Feb.
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2005
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Projections
/ Sightings, Carrie Haddad Gallery, Hudson, NY– Feb
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1995
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Eye
Flower, P.P.O.W., N.Y.C.– Jan.
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Apropos
Eye Flower, Sue Spaid Fine Art, Los Angeles, Ca.– Feb.
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1990
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Stephen
Wirtz Gallery, San Francisco, Ca. – Dec.
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1989
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Stephen
Wirtz Gallery, San Francisco, Ca. – July
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1985
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White
Columns, White Room, N.Y.C.– Sept.
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1981
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500
Exposition Gallery, Dallas, Texas– Oct.
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Union
Gallery, Kansas State University, Manhattan, Kansas–
April
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SELECTED
GROUP EXHIBITIONS:
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2020
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conTEXT, Foundry Art Center, St. Charles, Missouri, May-June
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2017
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A Dark Rock Surged Upon, curated by Faheem Haider, Garner Art
Center, Garnverville, NY, August
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2016
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Power and Politics, Ann Street Gallery, Newburgh, NY, Oct.
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2015
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O+ Festival, Kingston, NY, October
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2015
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Shifting
Ecologies II, Athens Cultural Center, Athens NY, August
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2015
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Learn
to Read Art: Surviving History of Printed Matter, 80WSE
Gallery, NYC, Jan.-Feb.
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2012
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Natural/
Constructed Spaces, The Painting Center, NYC, June-July
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2012
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Storytime,
Studio Place Arts Gallery, Barre, VT– March
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2010
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Made
in Rosendale, Roos Art, Rosendale, NY– July-Sept.
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2006
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Art
as a Journey into Awareness, Pritzker Gallery, Highland, NY–
April
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Twilight
Zone,
4 artists, Carrie Haddad Gallery, Hudson, NY– March
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2004
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Benefit
Exhibition, Drawing Center, NYC, NY
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1993
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Return
of the Cadavre Exquis, Drawing Center, N.Y.C.– Nov.
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Varieties
of Vision, Brooklyn Union Gas Community Gallery, Brooklyn,
N.Y. – March-April.
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1991
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Invitational,
Berland /Hall Gallery, N.Y.C.– June
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PTYAX,
Sue Spaid Fine Art, Los Angeles, Ca.– Feb.
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1990
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Corporealities,
Sue Spaid Fine Art, Los Angeles, Ca. – July
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INSECT
POLITICS: Body Horror/Social Order, Guest Curator, Hallwalls,
Contemporary Arts Center, Buffalo, N.Y. – March-April
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1989
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Selections (5 Artists) Hallwalls Contemporary Arts Center,
Buffalo N.Y. – July
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Four
Artists, Tomoko Liguori Gallery, NYC – July
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Benefit,
White Columns, NYC – Jan.
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1988
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Small
Scale, Frank Bernarducci Gallery, N.Y.C.- June
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Text
Is Not Explained…, Stux Gallery, Boston, Mass. –
March
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A
Romantic Distance, Jeffrey Neal Gallery, N.Y.C. – Jan.
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1987
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Gnarley
Mo, Limelight, Steve Schwartz; Curator, NYC – Oct.
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Movietone
Muse, One Penn Plaza, N.Y.C. – Jan-March
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Art
For Money, Art and Industry, Sponsored by Fashion Moda, NYC,
Brooklyn, N.Y. – March-April.
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Visiting
Artist Exhibition, Ohio State University Gallery, Columbus,
Ohio – April
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1986
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CINEMAOBJECT,
City Gallery, Department of Cultural Affairs, N.Y.C.
September. Curators: Steve Derrickson and Dennis Adams,
Sponsored by The Kitchen
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Selections,
Drawing Center, N.Y.C. – Feb.
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Three
Artists, Soho Center for Visual Artists, N.Y.C. – Jan.
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Update,
White Columns, NYC– June
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Watermelon
Show, Gallery Hirondelle, NYC – July
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1985
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Three
Artists, Gallery Hirondelle, N.Y.C. - July
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Intermission,
Mission Gallery, NYC, Oct
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1983
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New
Works, Laguna Gloria Art Museum, Austin, Texas. – Sept.
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Commissioned
Works, Huntington Art Galleries, University of Texas, Texas
Sculpture Symposium, Austin, Texas – April
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New
Figurative Drawing, San Antonio Art Institute, Texas –
Feb.
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1982
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Five
From Austin, San Antonio Art Institute, Texas – May.
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1981
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OFF THE WALL: Environments and Installations, San Antonio Museum of Art, Tx., Sept.-Nov.
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Group
Show, 500 Exposition Gallery, Dallas, Texas – Nov.
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Shelf,
A.I.R. Gallery, Austin, Texas – May
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1980
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Content/Structure,
500 Exposition Gallery, Dallas, Texas – Summer
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Small
Works, Washington Square East Gallery, New York University,
NYC – Jan.
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1979
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Austin
Contemporary Art, Laguna Gloria at First Federal and Trinity
House Gallery, Austin, Texas – May
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Texas
Invitational, University of Corpus Christi, Texas –
October-November
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Group
Show, LAX 814, Los Angeles, Ca – Sept
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Group
Show, Allan Street Gallery, Dallas, Texas – October
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GRANTS:
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1991
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Residency;
MacDowell Art Colony, Peterborough, N.H. – Sept.
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1987-8
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Artist
Fellowship, National Endowment for the Arts
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1983
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Texas
Commission of the Arts; Installation commissioned for Texas
Sculpture Symposium – April
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1981
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Travel;
University Research Institute, Research/Document contemporary
art – NYC.
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1980
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Materials
/ Travel ;University Research Institute, University of Texas
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TEACHING:
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1994
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Art
in History, Community School of New Paltz, NY, 9th Grade,
Winter.
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1993-1984
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Lecturer, Rutgers
University, Newark, N.J.
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1987
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Visiting
Artist, Ohio State
University, Columbus, Ohio
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1980-1984
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Assistant
Professor of Art, University of Texas, Austin.
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1977-1980
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Instructor
of Art, University of Texas, Austin.
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1976-1977
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Teaching
Assistantship, Tyler School of Art, Philadelphia, Pa
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Visiting
Artist Lectures/Critiques:
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Rockland
County Community College, NY, Fall 2000
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State
University of NY, New Paltz, Fall 1988
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Otis
Art Institute, L.A., Ca., Fall 1990
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Middlebury
College, Vermont, Fall 1989
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Moderator;
Panel on Installation Art; Texas Sculpture Symposium,
University of Texas, Austin, Spring 1983
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Panel;
Art and Context, San Antonio Art Institute, Texas 1982
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Lecture/Tour;
HHK Collection of Contemporary Art, Huntington Museum of Art,
University of Texas, Austin, Nov 1982
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Kansas
State University, Manhattan, Kansas, April 1981
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SELECTED
BIBLIOGRAPHY and PUBLISHED WRITINGS:
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Ghost Hands Rough Necks Insect Politics, 2019
-Published by Magcloud
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Dust Up, 2017
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Gun Girl Bomb, 2015
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Cinema Object 2, 2014
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Pulse,
Arts
Weekly,
About the Artist; interview 2-3-2005
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L.A.
Weekly,
Review of “Eye Flower” Exhibition, Sue Spaid
Gallery, La. by Susan Kandel. 1993.
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Artweek,
July, 1989, ill.,pg. 4, Review of “Introductions 89”
by Mark Van Proyen.
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San
Francisco Examiner, July 1989, Review of Solo Exhibition at
Stephen Wirtz Gallery, S.F. by Kenneth Baker
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Arts
Magazine,
May 1988, Review of “A Romantic Distance” by
Robert Mahoney
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Artforum,
Dec. 1986, Review of “CINEMAOBJECT”, by Kate
Linker, illus. pg. 113.
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Art
News,
Dec. 1986, “Art and the Electronic Fishbowl” by
Eleanor Heartney, illus. pg. 156
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Arts
Magazine,
Sept. ’86, “Ten to Watch” by Dan Cameron,
illus. pg. 40-41.
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Village
Voice,
Sept. ’86, “Pick of the Week”, centerfold
by Kim Levin
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Pawn
Review,
Vol. 8, ’84, “Who are the Detectives of
Archeology?” by Steve Derrickson, ill.pg. 77-81
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Austin
Chronicle,
Nov. ’83, “Cultural Frontlines Report”, by
Steve Derrickson
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Third
Coast,
Sept. ’83, Review- New Works
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Laguna
Gloria Art Museum Catalogue,
’83, “New Work” Introduction by Annette
Dimeo Carlozzi.
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Artspace,
’83, Review-New Works by Joan Bassin
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Artspace,
’83, “U.T. Pitura Poesis” by Alan Vertrees
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San
Antonio Museum of Art Catalogue,
“Off the Wall” Introduction by Sally
Boothe-Meredith, illus.
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Dallas
Morning News,
July ’80, Review of “Content/Structure” by
Janet Kutner
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Art
News,
Dec. ’79, “Anthropomorphic Soupcan” by
Melinda Wortz
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SELECTED
PUBLIC COLLECTIONS:
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RxArt
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Security
Pacific Bank
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Bank
of America
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Principal
Financial Group
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University
of North Carolina
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